Torture also figured in the hugely successful 1994 “Pulp Fiction” - the rape scene involving the druglord Marcellus Wallace (Ving Rhames), for example. In “Reservoir Dogs,” his 1992 directorial debut, Tarantino set out to make a slick Hollywood movie with torture as one of its core themes. servicemen and women humiliating and torturing Iraqis, that leaves me feeling very uneasy.īlood and guts, obviously, are longtime Hollywood staples. And coming at a time when Americans are being bombarded by real images of U.S. He's like a creepy kid torturing insects with a magnifying glass. But with his latest movies, the director makes virtually every scene a pretext for humiliating, brutalizing, or murdering his characters. That worked with “Pulp Fiction,” Tarantino's first big hit, which I loved. The director likes to say his technique is to leave out all the dull moments and focus his plots on the intense stuff people really want to see. I'm bothered by something Tarantino's admirers try to minimize: the sadistic violence. ![]() Given how many young American viewers and film buffs worldwide have flipped for the “Bills”, it's pretty unhip not to like these movies.Īnd yet, I hate them - both of them - even after seeing them several times. Their success is a major coup for Miramax CEO Harvey Weinstein, who backed them financially, and could pave the way for Weinstein to have an expanded role in the troubled moviemaking operations of Miramax parent Walt Disney. ![]() It's hard to ignore the box-office popularity of Quentin Tarantino's latest movies, “Kill Bill: Vol.
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